Bertolt Brecht’s concept of alienation, also known as the "alienation effect" or "verfremdungseffekt," was aimed at creating a critical distance between the audience and the performance. The goal was to prevent the audience from becoming too emotionally involved or absorbed in the narrative, which Brecht felt would hinder their ability to critically engage with the social and political issues being presented.
Here’s why the correct answer is 2:
2. Distancing artistic conventions to prevent an emotional catharsis.
Brecht wanted to avoid the traditional emotional involvement that realism often encouraged. By distancing the audience through unconventional theatrical techniques—such as breaking the fourth wall, using minimal sets, or employing direct address—he aimed to make the audience more analytical and reflective rather than simply being emotionally immersed. This approach was designed to foster a critical perspective on the social and political issues depicted in the play.
Year-wise PYQs
